The Government Rose Garden in Ooty stands as one of the largest rose gardens in India. The garden covers an area of about 10 acres and offers an expansive botanical landscape. It showcases thousands of rose varieties, hybrids, and colours, making it a major attraction for nature lovers.
The garden features well-maintained lawns, neatly designed pathways, and elegant pergolas. These elements create a calm and picturesque environment where visitors enjoy the beauty of roses and ornamental plants. Because of its size and floral diversity, the Government Rose Garden attracts tourists and flower enthusiasts throughout the year.
Varieties of Government Rose Garden:
The Government Rose Garden in Ooty displays an extensive collection of roses that includes numerous varieties, hybrids, and colours. Visitors can find the following prominent types of roses in the garden:
- Hybrid Tea Roses: These roses produce large, single blooms on long stems. Gardeners grow them widely for their elegance and fragrance.
- Floribunda Roses: These roses produce clusters of flowers on each stem and create a vibrant, colourful display. They bloom continuously and attract visitors throughout the season.
- Grandiflora Roses: These roses combine the characteristics of hybrid tea and floribunda roses. They produce large blooms along with clusters of flowers on a single stem.
- Miniature Roses: These compact roses grow well in containers and produce small blooms. They come in many colours and suit various garden designs.
- Climbing Roses: These roses grow long, arching canes that gardeners train along walls, fences, and trellises. They often bloom in attractive clusters.
- Old Garden Roses: These traditional rose varieties originated before hybrid tea roses. They display a classic and romantic appearance and include damask and bourbon roses.
- Shrub Roses: These hardy roses grow naturally and require minimal maintenance. Landscapers often use them to create colourful garden layouts.
- Groundcover Roses: These low-growing roses spread easily and cover large areas. They create dense carpets of colourful blooms.
- English Roses (David Austin Roses): David Austin developed these roses by combining old garden rose forms with modern repeat flowering. They offer strong fragrance and rich colours.
Rose Show in Ooty:
The Rose Show in Ooty takes place every year at the Government Rose Garden and attracts large crowds. During the event, the garden displays a wide range of rose varieties, hybrids, and colours in full bloom. The entire garden transforms into a vibrant floral spectacle.
The Rose Show also hosts competitions where gardeners and growers present their best roses and compete for awards in various categories. Organisers arrange cultural programs, entertainment, and festive activities to enrich the visitor experience. Visitors frequently capture photographs, as the manicured lawns and colourful blooms provide excellent photo opportunities.
Visiting Hours and Entry Fee of Rose Garden:
The Tamil Nadu Horticulture Department manages the Government Rose Garden. Visitors pay an entry fee of INR 30 for adults and INR 15 for children. The garden charges an additional INR 50 for still cameras and INR 100 for video cameras. The garden remains open every day from 7:30 AM to 6:30 PM.
How to reach Government Rose Garden:
By Air:Nearest Airport: Coimbatore International Airport (approx. 88 kilometers from Ooty).From the airport, you can hire a taxi or use other local transportation to reach Ooty.
By Train: Nearest Railway Station: Udagamandalam (Ooty) Railway Station.Ooty is connected by a narrow-gauge railway line. However, the nearest major railway station is Mettupalayam Railway Station.From Mettupalayam, you can take the Nilgiri Mountain Railway (toy train) or a taxi to Ooty.
By Road:
- From Ooty: Ooty is well-connected by road. You can reach Ooty by bus, car, or taxi from various nearby cities. The Government Rose Garden is situated in the heart of Ooty town and is easily accessible by local transportation.
- Navigate to Ooty and then head towards the center of the town. The Government Rose Garden is a prominent landmark and is often well-signposted in the town.
Government Rose Garden Ooty – FAQ
Where is the Government Rose Garden located?
The Government Rose Garden is located on Elk Hill in Ooty, Nilgiri district, Tamil Nadu, about 2 kilometres from Ooty bus stand.
Why is the Government Rose Garden famous?
The garden is famous for housing over 20,000 varieties of roses spread across 4 hectares, making it one of the largest rose gardens in India.
What are the visiting hours of the Rose Garden in Ooty?
The Government Rose Garden is usually open daily from 7:30 AM to 6:30 PM. Timings may vary slightly during peak tourist seasons.
Is there an entry fee for the Government Rose Garden?
Yes, visitors are required to pay a nominal entry fee. Additional charges may apply for camera usage.
When is the best time to visit the Rose Garden?
The best time to visit is between April and June during the annual Rose Show, when the flowers are in full bloom and attract thousands of visitors.
Tourist Attractions near Ooty
- Avalanche Lake – Ooty
- Doddabetta Peak – Ooty
- Pykara Falls – Ooty
- Nilgiri Mountain Railway – Ooty
- Ooty is well-connected by road. You can reach Ooty by bus, car, or taxi from various nearby cities.
- Doddabetta Peak is approximately 10 kilometers from Ooty town center.
- You can hire a taxi or take a local bus to reach Doddabetta.
- From Ooty, take the Ooty-Kotagiri Road.
- Follow the road signs leading to Doddabetta Peak.
- Government Rose Garden – Ooty
- Avalanche Lake – Ooty
- Pykara Falls – Ooty
- Nilgiri Mountain Railway – Ooty
- Thanjavur paintings trace their origins back to the Chola period (11th century) and the Nayak period (16th century).
- After the decline of the Vijayanagar Empire, several painters migrated to Thanjavur and worked under the patronage of the Thanjavur Nayaks.
- Subsequently, when the Thanjavur Nayaks were defeated by the Maratha rulers, Maratha influence became evident in the artworks, leading to the evolution of the unique Thanjavur painting style.
- During this time, artists actively painted and decorated temples, palaces, and residences of Maratha kings and aristocrats.
- The primary subjects are stories from Hindu mythology.
- Hindu gods, goddesses, saints, puranic narratives, and sacred texts form the central theme, surrounded by supporting figures and motifs.
- The paintings stand out for their vivid colors and intricate iconography, richly embellished with gold coating.
- Artists usually create Thanjavur paintings on cloth-mounted canvases fixed to wooden planks.
- Saraswathi Mahal, Thanjavur
- The Government Museum, Chennai
- Thanjavur Art Gallery, Thanjavur
- The British Museum and the Victoria and Albert Museum, England
- The National Museum of Copenhagen, Denmark
- Thanjavur Dolls’ origination dates back to the early 19th century and forms a part of the rich heritage and traditional handicrafts of Thanjavur.
- The exquisite style of the dolls is the work of skilled artisans and craftsmen of Thanjavur who are responsible for its wide appeal across the world. The dolls are made using plaster of paris, paper mache, clay and wax.
- Thanjavur Dolls are generally a pair of king and queen. These lively, colourful dolls and their dancing style have a friendly welcoming aura. Their body movements especially shaking of heads is the most striking feature.
- These dazzling dolls are so made that their core weight is at the bottom-most region and hence can manage to balance themselves elegantly. Also, the heads of these dolls are detachable from the body.
- Thanjavur Dolls are of two kinds, the bobble-head style and the tilting doll style. The dancing girl and old man and woman dolls, which are a version of bobble-head, are very popular ones.
- Thanjavur Dolls are perfect for decorating our home interiors and also to give away as gifts and souvenirs.
- These dolls are primarily available at Punainallur Mariamman Temple in Thanjavur and are now available for purchase on online platforms.
Doddabetta Peak rises near Ooty (Udhagamandalam) in the Nilgiri Hills of the Western Ghats, Tamil Nadu. Located at an elevation of about 2,637 metres (8,650 feet), it proudly stands as the highest point in the Nilgiris. As a result, the peak offers sweeping panoramic views of rolling hills, dense forests, and distant plains. Since Ooty lies close by, Doddabetta Peak attracts visitors throughout the year and remains one of the most popular viewpoints in the region.
Climate at Doddabetta Peak
The climate at Doddabetta Peak stays pleasantly cool throughout the year. During summer, from March to May, daytime temperatures usually range between 10°C and 20°C. Consequently, the weather remains comfortable for sightseeing and photography.
In contrast, winter months from December to February bring a sharp chill. Temperatures often drop between 0°C and 10°C, especially during early mornings and nights. Meanwhile, the monsoon season arrives from June to September and transforms the hills into a lush green paradise. Although mist and fog frequently cover the peak during this time, they also enhance the charm and mystique of the landscape.
Observation Tower at Doddabetta Peak
The observation tower at Doddabetta Peak serves as its main attraction. From here, visitors enjoy a stunning 360-degree view of the Nilgiri Hills, Ooty town, the Coimbatore plains, and, on clear days, even the Mysuru plateau. Moreover, telescopes installed at the tower help visitors spot distant landmarks with ease.
Additionally, the tower offers a calm and refreshing atmosphere, making it ideal for photography lovers and nature enthusiasts. As cool mountain air surrounds the viewpoint, visitors can relax, take in the scenery, and fully appreciate the natural beauty of the Western Ghats.
How to reach Doddabetta Peak:
By Air:Nearest Airport: Coimbatore International Airport (approx. 88 kilometers from Ooty).From the airport, you can hire a taxi or use other local transportation to reach Ooty.
By Train: Nearest Railway Station: Udagamandalam (Ooty) Railway Station.Ooty is connected by a narrow-gauge railway line. However, the nearest major railway station is Mettupalayam Railway Station.From Mettupalayam, you can take the Nilgiri Mountain Railway (toy train) or a taxi to Ooty.
By Road:
From Ooty:
Doddabetta Peak Ooty – FAQ
Where is Doddabetta Peak located?
Doddabetta Peak is located about 9 kilometres from Ooty town in the Nilgiri district of Tamil Nadu. It is the highest peak in the Nilgiris.
What is the height of Doddabetta Peak?
Doddabetta Peak stands at an altitude of 2,637 metres (8,650 feet) above sea level, offering breathtaking panoramic views of the surrounding hills.
What can visitors do at Doddabetta Peak?
Visitors can enjoy scenic viewpoints, photography, and visit the Telescope House, which provides a closer look at the valley and distant landscapes.
What are the visiting hours of Doddabetta Peak?
The peak is generally open daily from 7:00 AM to 6:00 PM. Timings may vary slightly during peak tourist seasons.
Is there an entry fee to visit Doddabetta Peak?
Yes, a nominal entry fee is charged for visitors. Separate charges may apply for using the telescope facility and for camera access.
Tourist Attractions near Ooty
Bharatanatyam, a classical dance form that originated in the southern state of Tamil Nadu, stands as a meticulously structured and stylized art with a profound historical and cultural heritage. From the very beginning, this mesmerizing dance harmoniously blends grace, rhythm, storytelling, and spirituality, thereby creating a powerful artistic expression.
History of Bharatanatyam:
Bharatanatyam traces its origins to the temples of Tamil Nadu, where practitioners originally referred to it as “Dasi Attam” or “Sadir.” During this period, Devadasis—female temple dancers—performed the dance as an act of devotion while serving deities through music and movement. Consequently, Devadasis played a vital role in temple rituals and religious ceremonies.
Within temple spaces, dancers performed Bharatanatyam as a form of religious expression and storytelling. Through this art, they conveyed narratives from Hindu mythology, including epics such as the Ramayana and Mahabharata. As a result, devotees regarded the dance as a divine offering and a meaningful way to connect with the gods.
However, during the British colonial period in India, Devadasis encountered major social and cultural disruptions. British administrators and Christian missionaries viewed temple dance traditions with suspicion. Consequently, authorities suppressed these practices, pushing Bharatanatyam into obscurity and forcing the art form to undergo significant transformation.
Following India’s independence, Bharatanatyam experienced a powerful resurgence. Cultural institutions formally recognized it as one of India’s classical dance forms and provided renewed patronage. Moreover, dancers and gurus actively preserved its core traditions while simultaneously adapting the art to contemporary contexts.
Elements of Bharatanatyam:
Nritta : Nritta consists of intricate and rhythmic movements that emphasize the legs and feet. It focuses on physical technique and highlights the dancer’s mastery of adavus, precise footwork, and complex movement patterns.
Nritya: Nritya represents the expressive dimension of Bharatanatyam. Through facial expressions, hand gestures (mudras), and body movements, the dancer narrates stories and conveys emotions. Therefore, Abhinaya—the art of expression—plays a crucial role in Nritya.
Mudras: Mudras consist of intricate hand gestures, each carrying symbolic meaning. Bharatanatyam employs over fifty mudras to represent emotions, objects, and ideas. As a result, dancers undergo rigorous training to master these gestures for effective storytelling.
Abhinaya: Abhinaya focuses on emotional expression and demands the use of the eyes, face, and hands to interpret lyrics and sentiments. Therefore, dancers must deeply understand the narrative while establishing an emotional connection with the audience.
Rasa : In Bharatanatyam, rasa represents the emotional essence conveyed to the audience. Accordingly, dancers aim to evoke rasas such as love (shringara), valor (veera), and compassion (karuna), thereby creating a lasting emotional impact.
Bhava : Complementing rasa, bhava reflects the emotional state portrayed throughout the performance. Thus, bhava works in harmony with rasa to communicate subtle emotional nuances linked to the character or theme.
Natya: Natya encompasses the dramatic dimension of Bharatanatyam. It incorporates theatrical elements such as character portrayal and narrative enactment. Consequently, dancers often assume multiple roles within a single performance.
Costume and Makeup: Traditional Bharatanatyam costumes include vibrant silk saris for women and dhotis for men. Additionally, dancers wear ornate jewelry and anklets with bells. Elaborate makeup further enhances facial expressions and stage visibility.
Music and Instruments: Bharatanatyam performances rely heavily on classical Carnatic music. Vocalists and instruments such as the mridangam, violin, flute, and veena together establish rhythm and melody, thereby guiding the dancer’s movements.
Stage and Lighting: Performances typically take place on well-lit stages that highlight expressions and movement. Moreover, thoughtful lighting design creates a visually engaging and emotionally evocative atmosphere.
Choreography: Bharatanatyam choreography carefully arranges movements, compositions, and storytelling elements. As a result, choreographers ensure a balanced, harmonious, and aesthetically pleasing presentation.
Global Appeal:
Over time, Bharatanatyam has gained widespread international recognition. Dance schools across the world now offer training, and artists frequently perform at global cultural festivals. Furthermore, dancers from diverse cultural backgrounds increasingly collaborate with Indian practitioners, thereby creating innovative and cross-cultural interpretations.
Epilogue:
Overall, Bharatanatyam weaves together tradition, spirituality, and artistic excellence into a sublime dance form. Its expressive gestures, intricate movements, and storytelling captivate audiences worldwide. From its sacred temple origins to its revival after colonial challenges, Bharatanatyam continues to transcend boundaries and inspire generations. Ultimately, this classical dance stands as a timeless testament to the unifying and transformative power of art.
Bharatanatyam – FAQ
What is Bharatanatyam?
Bharatanatyam is one of the oldest classical dance forms of India, originating in Tamil Nadu. It combines expressive storytelling (abhinaya), rhythmic footwork, and intricate hand gestures (mudras).
What does the name Bharatanatyam mean?
The name Bharatanatyam is derived from “Bhava” (expression), “Raga” (music), “Tala” (rhythm), and “Natyam” (dance), reflecting its artistic elements.
Where did Bharatanatyam originate?
Bharatanatyam originated in the temples of Tamil Nadu and was traditionally performed by Devadasis as part of temple rituals and cultural traditions.
What are the key elements of a Bharatanatyam performance?
A typical Bharatanatyam performance includes Alarippu, Jatiswaram, Varnam, Padam, and Thillana, showcasing both technical skill and expressive storytelling.
Why is Bharatanatyam considered special?
Bharatanatyam is admired for its graceful movements, spiritual depth, and precise rhythm, making it a globally recognized symbol of India’s rich cultural heritage.
Exploring the art and heritage of Silambam reveals an ancient Indian martial art with a history spanning several centuries. Originating in the southern state of Tamil Nadu, Silambam stands as a traditional martial art that focuses on stick-based combat and rhythmic movements. Practitioners across the world continue to practice and celebrate this art form, preserving its historical importance while carrying it forward into modern times.
Origins and History of Silambam
Silambam traces its origins to the southern regions of India, especially Tamil Nadu and Kerala. Historical records and traditions suggest that people practiced Silambam for over 2,000 years. The art closely connects to the Sangam period of Tamil history, which flourished between 300 BC and 300 AD.
The name “Silambam” comes from the Tamil words “Silam,” meaning hill or mountain, and “Ambu,” meaning arrow. This name reflects how early practitioners used sticks both as combat weapons and as hunting tools in hilly terrains.
Silambam Techniques and Traditional Art Forms
Silambam showcases intricate techniques and structured forms that rely on skilled stick handling. Practitioners primarily use the Silambam staff, a long stick crafted from materials chosen for flexibility, strength, and balance. Each practitioner selects a staff length that generally measures from the ground to the armpit.
Key Weapons in Silambam
Silambam training includes a range of weapons and equipment, each designed to serve a specific purpose. The following tools play a vital role in developing technique, control, and combat skills.
Silambam Staff (Silambattam): The staff remains the primary weapon in Silambam. Craftsmen traditionally make it from bamboo, rattan, or hardwood. Practitioners choose the length based on height and comfort, usually reaching up to the armpit.
Yerikkaiparam: This short wooden baton functions as a secondary weapon. Practitioners often hold it in the non-dominant hand to assist with defense or close-range strikes.
Kodi Kambu (Flagpole): Trainers use the Kodi Kambu to build wrist strength, arm control, and striking precision. The pole often includes a decorative flag or finial.
Maan Kombu (Deer Horn Knives): Advanced practitioners occasionally train with these curved, horn-shaped knives. The weapons support dual-wielding techniques and advanced combat forms.
Maru Kombu (Metal Rods):Some modern Silambam variations incorporate short metal rods for striking and self-defense, although traditional practice does not include them.
Karambit:Originating from Filipino martial arts, the Karambit sometimes appears in modern Silambam adaptations due to its curved blade and grip control.
Sword and Shield: Some practitioners blend Silambam footwork and movements with sword and shield techniques, demonstrating the art’s adaptability.
Bullwhip:In contemporary interpretations, practitioners use the bullwhip to develop timing, reach, and control.
Philosophy and Training in the Art of Silambam
Silambam emphasizes discipline, focus, and self-control beyond physical combat. Practitioners follow ethical principles that promote respect for opponents and the art itself. Training demands physical conditioning, technical mastery, and disciplined weapon handling. Practitioners also integrate breath control and meditation into regular practice.
Benefits of Silambam
Strength and Endurance:Silambam training builds muscular strength and endurance, particularly in the upper body, through repetitive and controlled movements.
Flexibility: Regular practice improves flexibility and agility by encouraging wide ranges of motion.
Cardiovascular Health:The fast-paced and rhythmic training routines enhance cardiovascular endurance and stamina.
Balance and Coordination:Complex footwork and weapon movements sharpen balance, coordination, and body control.
Weight Management:Consistent Silambam practice supports weight control and overall physical fitness.
Silambam Today
In recent years, Silambam has gained global recognition beyond its traditional roots. Martial artists from different countries actively learn and practice this ancient art. Various organizations now promote Silambam through competitions, workshops, and training programs to preserve its legacy.
Epilogue
Overall, Silambam offers a powerful glimpse into the martial heritage of Tamil Nadu. Its refined techniques, disciplined philosophy, and cultural depth make it a valuable martial tradition. As interest continues to grow worldwide, Silambam stands as a living testament to the enduring strength of traditional martial arts.
Silambam – FAQ
What is Silambam?
Silambam is an ancient martial art form originating from Tamil Nadu. It primarily involves the use of a long bamboo staff along with swift footwork and defensive techniques.
How old is Silambam?
Silambam dates back over 2,000 years and is mentioned in Sangam literature, making it one of the oldest traditional martial arts in India.
What weapons are used in Silambam?
While the bamboo staff (silambam) is the main weapon, practitioners also train with swords, shields, knives, and flexible weapons as part of advanced techniques.
Is Silambam still practiced today?
Yes, Silambam is actively practiced in Tamil Nadu and across India. It is promoted through cultural events, competitions, and martial arts training academies.
What are the benefits of learning Silambam?
Silambam improves physical fitness, agility, coordination, discipline, and self-defense skills while preserving Tamil cultural heritage.
Thanjavur Paintings, popularly known as Tanjore Paintings, rank among India’s most celebrated traditional art forms. Notably, artists developed this distinctive style in Thanjavur District, a region renowned for its cultural richness and artistic heritage. Over the centuries, painters used this art form to express devotion, spirituality, and royal grandeur through visually rich and symbolic compositions.
Historical Roots of Thanjavur Paintings
The Thanjavur painting tradition flourished prominently during the Maratha rule between 1676 and 1855. During this period, Maratha kings actively patronized painters and encouraged religious art. As a result, artists produced detailed and spiritually symbolic depictions of Hindu gods and goddesses, reflecting both artistic excellence and devotional depth.
Artistic Style & Technique
Traditionally, artists create Thanjavur paintings on wooden panels using bright, natural colors. In addition, they apply gold foil and emboss the surface to produce a striking three-dimensional effect. Most importantly, painters place the main deity at the center of the composition and surround it with ornate arches and decorative motifs. Consequently, each artwork immediately captures attention while conveying divine magnificence.
GI Recognition & Legacy
In recognition of its immense cultural value, the Government of India granted Geographical Indication (GI) status to Thanjavur Paintings in 2007–2008. Therefore, this recognition safeguards authenticity and, at the same time, supports traditional artisans who continue to preserve this heritage art form.
Cultural Importance of Thanjavur Paintings
Today, Thanjavur Paintings strongly symbolize Tamil Nadu’s artistic legacy. Hence, art enthusiasts, collectors, and scholars across the globe admire and preserve this timeless Indian art tradition.
Image Attribution : Richard Mortel
History of Thanjavur Paintings
Thanjavur paintings evolved gradually through various historical phases. Below is a brief overview of their artistic journey.
Style and Themes of Tanjore Paintings
The themes and stylistic elements of Tanjore paintings remain distinctive and elaborate. Some key characteristics include:
The Making of Tanjore Paintings
The process of creating a Tanjore painting begins with a wooden plank base onto which a cloth is pasted. Initially, artists sketch the design on the prepared surface. Next, they apply a mixture of chalk powder or zinc oxide combined with a water-soluble adhesive. Afterward, the design is decorated with pearls, glass beads, or sometimes precious stones. Finally, painters enhance the visual appeal by applying bright hues and carefully placing thin gold sheets to highlight specific elements.
Artists of Thanjavur Paintings
The artists behind Thanjavur-style paintings traditionally belonged to the Raju community of Thanjavur and Trichy, as well as the Nayadu community of Madurai. Originally from the Rayalaseema region of Andhra Pradesh, these artists spoke Telugu. However, following the decline of the Vijayanagar Empire and the establishment of Nayak rule in Thanjavur and Madurai, they migrated to Tamil Nadu. Over time, many artists remained anonymous due to the prevailing artistic traditions of that era.
Display of Thanjavur Paintings
Today, fine examples of Thanjavur paintings are displayed for the public at the following locations:
Epilogue
Although the materials and techniques used in crafting Thanjavur paintings have evolved over time, this ancient art form continues to gain popularity. Today, people often use Thanjavur paintings as elegant home décor pieces or present them as meaningful gifts to art lovers.
Buy Thanjavur Paintings Online
If you wish to purchase authentic Thanjavur Paintings online, click here: Thanjavur Paintings Online
Thanjavur Paintings – FAQ
What are Thanjavur paintings?
Thanjavur paintings, also known as Tanjore paintings, are a classical South Indian art form that originated in Thanjavur, Tamil Nadu. They are known for rich colors, gold foil work, and embossed detailing.
What makes Thanjavur paintings unique?
These paintings feature 22-carat gold foil, vibrant natural colors, semi-precious stones, and iconic depictions of Hindu deities, giving them a regal and devotional appeal.
When did Thanjavur paintings originate?
The art form flourished during the 16th century under the patronage of the Nayak and later the Maratha rulers of Thanjavur.
Which themes are commonly depicted in Thanjavur paintings?
Common themes include Lord Krishna, Goddess Lakshmi, Lord Ganesha, Lord Shiva, and other Hindu deities, often portrayed in a central, divine posture.
Are Thanjavur paintings still made today?
Yes, skilled artisans in Tamil Nadu continue to create Thanjavur paintings using traditional techniques, making them popular for home décor and gifting.
Thanjavur Thalayatti Bommai
The famous Thanjavur Dolls are traditionally handmade toys popularly known as the Thanjavur Thalayatti Bommai in the Tamil language. The doll’s continuous oscillating movement while shaking its head and body grabs our attention instantly. Thanjavur Dolls have been recognized as Geographical Indication (GI) by the Government of India as of 2008-09.
What makes Thanjavur Dancing Dolls so unique?
Buy Thanjavur dancing dolls online:
If you want to buy the famous Thanjavur dancing dolls online, click to Thanjavur Dolls Online
Thanjavur Dolls are not just a beautiful piece of artwork but also signify the traditional Indian craft that we need to preserve, encourage and take pride in.
Image Attribution: Avin CP from Unsplash
